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In letter No. 2, the first two pages are closely written in Clives handwriting, describing his pursuits and studies, and giving amusing details of the life at Baden, and the company whom he met there narrating his rencontre with their Paris friend, M. de Florac, and the arrival of the Duchesse dIvry, Floracs cousin, whose titles the Vicomte will probably inherit. Not a word about Floracs gambling propensities are mentioned in the letter; but Clive honestly confesses that he has staked five Napoleons, doubled them, quadrupled them, won ever so much, lost it all back again, and come away from the table with his original five pounds in his pocket proposing never to play any more. Ethel, he concluded, is looking over my shoulder. She thinks me such a delightful creature that she is never easy without me. She bids me to say that I am the best of sons and cousins, and am, in a word, a darling du The rest of this important word is not given, but goose is added in the female hand. In the faded ink, on the yellow paper that may have crossed and recrossed oceans, that has lain locked in chests for years, and buried under piles of family archives, while your friends have been dying and your head has grown white who has not disinterred mementos like these from which the past smiles at you so sadly, shimmering out of Hades an instant but to sink back again into the cold shades, perhaps with a faint, faint sound as of a remembered tone a ghostly echo of a once familiar laughter? I was looking of late at a wall in the Naples Museum, whereon a boy of Herculaneum eighteen hundred years ago had scratched with a nail the figure of a soldier. I could fancy the child turning round and smiling on me after having done his etching. Which of us that is thirty years old has not had his Pompeii? Deep under ashes lies the Life of Youth the careless Sport, the Pleasure and Passion, the darling Joy. You open an old letter-box and look at your own childish scrawls, or your mothers letters to you when you were at school; and excavate your heart. Oh me, for the day when the whole city shall be bare and the chambers unroofed and every cranny visible to the Light above, from the Forum to the Lupanar!

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Ethel takes up the pen. My dear uncle, she says, while Clive is sketching out of window, let me write you a line or two on his paper, though I know you like to hear no one speak but him. I wish I could draw him for you as he stands yonder, looking the picture of good health, good spirits, and good humour. Everybody likes him. He is quite unaffected; always gay; always pleased. He draws more and more beautifully every day; and his affection for young Mr. Ridley, who is really a most excellent and astonishing young man, and actually a better artist than Clive himself, is most romantic, and does your son the greatest credit. You will order Clive not to sell his pictures, wont you? I know it is not wrong, but your son might look higher than to be an artist. It is a rise for Mr. Ridley, but a fall for him. An artist, an organist, a pianist, all these are very good people, but you know not de notre monde, and Clive ought to belong to it.

We met him at Bonn on our way to a great family gathering here; where, I must tell you, we are assembled for what I call the Congress of Baden! The chief of the house of Kew is here, and what time he does not devote to skittles, to smoking cigars, to the jeu in the evenings, to Madame dIvry, to Madame de Cruchecassee, and the foreign people (of whom there are a host here of the worst kind, as usual), he graciously bestows on me. Lord and Lady Dorking are here, with their meek little daughter, Clara Pulleyn; and Barnes is coming. Uncle Hobson has returned to Lombard Street to relieve guard. I think you will hear before very long of Lady Clara Newcome. Grandmamma, who was to have presided at the Congress of Baden, and still, you know, reigns over the house of Kew, has been stopped at Kissingen with an attack of rheumatism; I pity poor Aunt Julia, who can never leave her. Here are all our news. I declare I have filled the whole page; men write closer than we do. I wear the dear brooch you gave me, often and often; I think of you always, dear, kind uncle, as your affectionate Ethel strap ons 2

Besides roulette and trente-et-quarante, a number of amusing games are played at Baden, which are not performed, so to speak, sur table. These little diversions and jeux de societe can go on anywhere; in an alley in the park; in a picnic to this old schloss, or that pretty hunting-lodge; at a tea-table in a lodging-house or hotel; in a ball at the Redoute; in the play-rooms behind the backs of the gamblers, whose eyes are only cast upon rakes and rouleaux, and red and black; or on the broad walk in front of the conversation rooms, where thousands of people are drinking and chattering, lounging and smoking, whilst the Austrian brass band, in the little music pavilion, plays the most delightful mazurkas and waltzes. Here the widow plays her black suit and sets her bright eyes against the rich bachelor, elderly or young as may be. Here the artful practitioner, who has dealt in a thousand such games, engages the young simpleton with more money than wit; and knowing his weakness and her skill, we may safely take the odds, and back rouge et couleur to win. Here mamma, not having money, perhaps, but metal more attractive, stakes her virgin daughter against Count Fettackers forests and meadows; or Lord Lackland plays his coronet, of which the jewels have long since been in pawn, against Miss Bags three-per-cents. And so two or three funny little games were going on at Baden amongst our immediate acquaintance; besides that vulgar sport round the green table, at which the mob, with whom we have little to do, was elbowing each other. A hint of these domestic prolusions has been given to the reader in the foregoing extract from Miss Ethel Newcomes letter: likewise some passions have been in play, of which a modest young English maiden could not be aware. Do not, however, let us be too prematurely proud of our virtue. That tariff of British virtue is wonderfully organised. Heaven help the society which made its laws! Gnats are shut out of its ports, or not admitted without scrutiny and repugnance, whilst herds of camels are let in. The law professes to exclude some goods (or bads shall we call them?) well, some articles of baggage, which are yet smuggled openly under the eyes of winking officers, and worn every day without shame. Shame! What is shame? Virtue is very often shameful according to the English social constitution, and shame honourable. Truth, if yours happens to differ from your neighbours, provokes your friends coldness, your mothers tears, the worlds persecution. Love is not to be dealt in, save under restrictions which kill its sweet, healthy, free commerce. Sin in man is so light, that scarce the fine of a penny is imposed; while for woman it is so heavy that no repentance can wash it out. Ah! yes; all stories are old. You proud matrons in your Mayfair markets, have you never seen a virgin sold, or sold one? Have you never heard of a poor wayfarer fallen among robbers, and not a Pharisee to help him? of a poor woman fallen more sadly yet, abject in repentance and tears, and a crowd to stone her? I pace this broad Baden walk as the sunset is gilding the hills round about, as the orchestra blows its merry tunes, as the happy children laugh and sport in the alleys, as the lamps of the gambling-palace are lighted up, as the throngs of pleasure-hunters stroll, and smoke, and flirt, and hum: and wonder sometimes, is it the sinners who are the most sinful? Is it poor Prodigal yonder amongst the bad company, calling black and red and tossing the champagne; or brother Straitlace that grudges his repentance? Is it downcast Hagar that slinks away with poor little Ishmael in her hand; or bitter old virtuous Sarah, who scowls at her from my demure Lord Abrahams arm? double penetration strap ons

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One day of the previous May, when of course everybody went to visit the Water-colour Exhibitions, Ethel Newcome was taken to see the pictures by her grandmother, that rigorous old Lady Kew, who still proposed to reign over all her family. The girl had high spirit, and very likely hot words had passed between the elder and the younger lady; such as I am given to understand will be uttered in the most polite families. They came to a piece by Mr. Hunt, representing one of those figures which he knows how to paint with such consummate truth and pathos a friendless young girl cowering in a doorway, evidently without home or shelter. The exquisite fidelity of the details, and the plaintive beauty of the expression of the child, attracted old Lady Kews admiration, who was an excellent judge of works of art; and she stood for some time looking at the drawing, with Ethel by her side. Nothing, in truth, could be more simple or pathetic; Ethel laughed, and her grandmother looking up from her stick on which she hobbled about, saw a very sarcastic expression in the girls eyes. strap on him

You have no taste for pictures, only for painters, I suppose, said Lady Kew.

I was not looking at the picture, said Ethel, still with a smile, but at the little green ticket in the corner

Sold, said Lady Kew. Of course it is sold; all Mr. Hunts pictures are sold. There is not one of them here on which you wont see the green ticket. He is a most admirable artist. I dont know whether his comedy or tragedy are the most excellent

I think, grandmamma, Ethel said, we young ladies in the world, when we are exhibiting, ought to have little green tickets pinned on our backs, with Sold written on them; it would prevent trouble and any future haggling, you know. Then at the end of the season the owner would come to carry us home

Grandmamma only said, Ethel, you are a fool, and hobbled on to Mr. Cattermoles picture hard by. What splendid colour; what a romantic gloom; what a flowing pencil and dexterous hand! Lady Kew could delight in pictures, applaud good poetry, and squeeze out a tear over a good novel too. That afternoon, young Dawkins, the rising water-colour artist, who used to come daily to the gallery and stand delighted before his own piece, was aghast to perceive that there was no green ticket in the corner of his frame, and he pointed out the deficiency to the keeper of the pictures. His landscape, however, was sold and paid for, so no great mischief occurred. On that same evening, when the Newcome family assembled at dinner in Park Lane, Ethel appeared with a bright green ticket pinned in the front of her white muslin frock, and when asked what this queer fancy meant, she made Lady Kew a curtsey, looking her full in the face, and turning round to her father, said, I am a tableau-vivant, papa. I am Number 46 in the Exhibition of the Gallery of Painters in Water-colours

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