In letter No. 2, the first two pages are closely written in Clives handwriting, describing his pursuits and studies, and giving amusing details of the life at Baden, and the company whom he met there narrating his rencontre with their Paris friend, M. de Florac, and the arrival of the Duchesse dIvry, Floracs cousin, whose titles the Vicomte will probably inherit. Not a word about Floracs gambling propensities are mentioned in the letter; but Clive honestly confesses that he has staked five Napoleons, doubled them, quadrupled them, won ever so much, lost it all back again, and come away from the table with his original five pounds in his pocket proposing never to play any more. Ethel, he concluded, is looking over my shoulder. She thinks me such a delightful creature that she is never easy without me. She bids me to say that I am the best of sons and cousins, and am, in a word, a darling du The rest of this important word is not given, but goose is added in the female hand. In the faded ink, on the yellow paper that may have crossed and recrossed oceans, that has lain locked in chests for years, and buried under piles of family archives, while your friends have been dying and your head has grown white who has not disinterred mementos like these from which the past smiles at you so sadly, shimmering out of Hades an instant but to sink back again into the cold shades, perhaps with a faint, faint sound as of a remembered tone a ghostly echo of a once familiar laughter? I was looking of late at a wall in the Naples Museum, whereon a boy of Herculaneum eighteen hundred years ago had scratched with a nail the figure of a soldier. I could fancy the child turning round and smiling on me after having done his etching. Which of us that is thirty years old has not had his Pompeii? Deep under ashes lies the Life of Youth the careless Sport, the Pleasure and Passion, the darling Joy. You open an old letter-box and look at your own childish scrawls, or your mothers letters to you when you were at school; and excavate your heart. Oh me, for the day when the whole city shall be bare and the chambers unroofed and every cranny visible to the Light above, from the Forum to the Lupanar!
Ethel takes up the pen. My dear uncle, she says, while Clive is sketching out of window, let me write you a line or two on his paper, though I know you like to hear no one speak but him. I wish I could draw him for you as he stands yonder, looking the picture of good health, good spirits, and good humour. Everybody likes him. He is quite unaffected; always gay; always pleased. He draws more and more beautifully every day; and his affection for young Mr. Ridley, who is really a most excellent and astonishing young man, and actually a better artist than Clive himself, is most romantic, and does your son the greatest credit. You will order Clive not to sell his pictures, wont you? I know it is not wrong, but your son might look higher than to be an artist. It is a rise for Mr. Ridley, but a fall for him. An artist, an organist, a pianist, all these are very good people, but you know not de notre monde, and Clive ought to belong to it.
We met him at Bonn on our way to a great family gathering here; where, I must tell you, we are assembled for what I call the Congress of Baden! The chief of the house of Kew is here, and what time he does not devote to skittles, to smoking cigars, to the jeu in the evenings, to Madame dIvry, to Madame de Cruchecassee, and the foreign people (of whom there are a host here of the worst kind, as usual), he graciously bestows on me. Lord and Lady Dorking are here, with their meek little daughter, Clara Pulleyn; and Barnes is coming. Uncle Hobson has returned to Lombard Street to relieve guard. I think you will hear before very long of Lady Clara Newcome. Grandmamma, who was to have presided at the Congress of Baden, and still, you know, reigns over the house of Kew, has been stopped at Kissingen with an attack of rheumatism; I pity poor Aunt Julia, who can never leave her. Here are all our news. I declare I have filled the whole page; men write closer than we do. I wear the dear brooch you gave me, often and often; I think of you always, dear, kind uncle, as your affectionate Ethel harness strap on